The ENSONIQ serial number label must appear on the outside of the Unit or tho ENSONIQ warranty is void. •ENSONIQ, ESQ 1, Mirage and MASOS are. Ensoniq ESQ-1 () Synthesizer 61 keys: 8 voices, short spectral PCM wavetable and analog filters. Listen to audio demos manual, demo, video, comments. As with every ENSONIQ product, all ESQ-1 service will be handled through the ENSONIQ The ESQ-1 Service manual is divided into four different sections and .

Author: Gardalabar Mujind
Country: Barbados
Language: English (Spanish)
Genre: History
Published (Last): 24 July 2006
Pages: 464
PDF File Size: 5.50 Mb
ePub File Size: 6.39 Mb
ISBN: 998-5-26043-402-9
Downloads: 9128
Price: Free* [*Free Regsitration Required]
Uploader: Tojara

Here are a few basic Truths about Tracks: The old Step 4 is now Step 5.

How do I perform a Hard Reset? Images from Perfect Circuit Audio. The Current Program the one you are editing will be Layered combined with the Program whose name appears immediately to the right see 5 belowand both Programs will play simultaneously. Up to 99 Steps can be programmed into a Song, The Step Number which appears here is always the one you are currently Editing.

ENSONIQ ESQ-1 Musician’s Manual

The end address is determined by the data that was retrieved in the I. During the Leader tone, adjust the Recorder’s input level so that the VU meler s read between -3 and 0 dB. The available range of values 21 To corresponds to the the 38 key range of a grand piano. Negative Levels In the sample Envelope shown above, all of the Level values were positive.


For whatever value is selected, the beginning of each note played is moved to the nearest note of that value. Contains the fundamental, and every third harmonic, starting from the 4th, up to the 25thin equal amounts: Erasing a track c. This allows you to change the Patch that a remote instrument is playing for each Song Step, if you wish.


This puts you back in the Edit Buffer, and any changes you make will affect the Edit Program. Now press the front panel Button labeled OSC 1: Then you can start editing the Program again from scratch.

You may also find them to be handy rules of thumb to follow when creating your own Programs. The rule of thumb is this: Use this page to: It is necessary to re-initialize the endoniq to reset the pitch bend to the proper range of 0 to This does not, however, send Start, Stop and Continue messages.

Whatever Sound you hear, that’s what you’re editing. The Current Program the one enskniq started from will always occupy the the opposite Keyboard half.

It then counts the Clock pulses until you release the key, when it records a Key U p. Experiment until you find the first letter you want. In normal Sequencer operation, when you change the Tempo of a Sequence, what you are really doing is varying the Clock Frequency, In the Step Edit Mode, the Clock is stopped, and this readout tells you exactly which Clock pulse within the Beat it is ensoniw at.

You can adjust this from to Bars though there are practical limitations If the new Length you select is shorter than the original, the Bars will be removed from the end of the Sequence. Set the Tempo of the Sequence to the Tempo you’ll want. Page enables Pressure to be received, as well as determining which type will be received – Key or Channel Pressure, See p, If the Load is unsuccessful, any of the Error messages listed on the previous page under Loading All Sequencer Memory from Audio Tape may appear, except for 4.


Since all ten Songs are selected from the same Page, and they are all named, there is no need to be able to select the exact location of a given Song.

In other words, whenever OSC1 finishes playing one complete cycle of its waveform and begins another, OSC 2 will reset to the beginning of its cycle, whether the previous cycle is complete or not. To operate the ESQ 1 in Mono, use this jack only. Mix Track 7 Other Notes: Ensoniq voice 80 Vol. Then there’s its built-in sequencer.

These 29 Waves are multisampled in such a way that the frequency peak remains relatively constant up and down the keyboard, rather than tracking the pitch of the note. Select any of the eight Tracks – it becomes underlined. You should assign each Track to a different Channel. This packet contains the size of the sequence to be transmitted.

Say you apply esq–1 Envelope shown above as a modulator to the Filter Cutoff Frequency. Each increment represents a Semitone. The available options are: